You had your introduction, three topic sentences and the three reasons within each topic, and a conclusion-that’s semantic structure! Each label of text locates you in the essay and tells you its purpose. Think back to fourth grade, when you had to write a five-paragraph essay and your teacher made you outline each section. In plain text, it could look something like this: Most people use tags or styles to label each text element in a book. What semantic structure looks like and consists of Think about a vision-impaired person using screen-reading software to read your book: they can’t see that your titles are bigger than the body text, so relying on design to convey semantic structure has the unintended effect of creating barriers between this user and the meaning of your text. You might wonder, “if my chapter titles are bigger than the body text, isn’t it obvious that it’s a title? Is that semantic structure?” Well, the answer is…No! Semantic structure is completely separate from design. It’s a way of saying “this is a chapter, this is a chapter title, this is a plain text paragraph,” so that the computer knows how to present your text. It’s a digital map of a book that can be interpreted by computers-for example, by ebook reading software or by a web browser. Semantic structure is a way of describing the different pieces of your text and their relationship to one another. It has to address a fundamental element that ensures a book can reach the widest audience possible: semantic structure. But in a publishing industry that is increasingly digital first and born accessible, book design software needs to go beyond perfecting the “look ” of a finished product. Authors, publishers, and book designers have many options, with each option representing a different set of tools and processes for getting a manuscript ready for production. There is an abundance of book design software on the market these days. Today ’s post is by Tiffany Watson and the team at Hederis ( which offers cloud-based, collaborative book production tools. After May 25, email Cynthia first to be sure she can still take your manuscript.“Labels for Art vs Craft Show” by Allspire is licensed under CC BY-SA 2.0 If you have any questions, contact Cynthia at service is limited to 30 conferees. Mail your manuscript flat to Cynthia Ruchti, 6739 County Rd. Do not send more than five pages.Įnclose a check for $40 with the manuscript, payable to Cynthia Ruchti.Įach manuscript must have a completed cover sheet click the link at the top of the page to download it.įasten the pages with a paper clip do not put them in a folder or notebook. devotional or group of short devotionals, maximum threeĪll manuscripts must be typed double-spaced, 12-point Times Roman/Times New Roman font, with one-inch margins on all sides.Manuscripts must be mailed in advance to be received by June 1 limit one per conferee. For $40 she will give you a written, detailed critique of your five manuscript pages. If you want a more in-depth critique of a manuscript, Cynthia Ruchti is offering manuscript makeovers. Or send via PayPal to put your name in the note box. Mail a check for the second manuscript, payable to WordPro, to Lin Johnson, Write-to-Publish Manuscript, 9118 W. Name the file with your name and type of manuscript (e.g., novel chapter, picture book).Įmail your manuscript to Jane Rubietta at If you have any questions about manuscripts, email her. After you fill it out, combine it with your manuscript in one file do not send separately. Include your name, address, and email address on the first page.Ĭlick the links at the top for manuscript format or book proposal outline.Įach manuscript must have a completed cover sheet click the link at the top to download it. Do not combine manuscripts to reach the limit. small group Bible-study session (about 10 pages maximum)Īll manuscripts must be typed double-spaced, 12-point Times Roman/Times New Roman font, with one-inch margins on all sides.Bible lesson plan (about 10 pages maximum).
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